2020 Event Finals Day 2 MAG SR/VT WAG FX (Monday, August 2, 2021)

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No, she did not design them.



 
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The nature of Melnikova’s business is she is the franchisee for a leotard company not previously sold in Russia. She doesn’t design them, but I imagine she chose the colour schemes. She had a big launch at the Voronin Cup one year, maybe 2019 and had a sales stand there. A few of the retired gymnasts and those who were not competing were roped into helping out. I think it all started from her just being a brand rep for them on social media.
 
I’m in the group that would have preferred Ferrari to win over Carey (though her routine has oddly grown on me, I think she hit her musical accents better in previous performances). I will be very interested to see the artistry deductions when the scorebook gets released. But though our Olympic champion isn’t a good example, I do think floor artistry has improved over the last quint and across the last decade.
 
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I think I might be in the minority here, but I would much rather that gymnasts perform choreography cleanly (for lack of a better word – good posture, pointed toes, etc.) than that they emote. So for example, while I was very happy that Ferrari got a medal in this final, she is not one that I would say does clean choreography – her hands especially are very awkward. Another example would be most of the Belgian team, who certainly get into their performances, but do so with hunched shoulders and weird movements. I would say the trend in recent years has been more towards selling routines/emoting and less toward actually dancing well (whatever the style – ballet, hip hop, whatever).

(Of course, IMO Carey neither does her choreography cleanly nor emotes, but she sure can tumble.)
 
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