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Agreed. And I honestly find this disturbing. (This is meant to inspire some thoughtful conversation on this issue)Cultural expectations. The attributes people desire in women vs. men.
I can't speak to other countries, but in the US, for the word go, we do a terrible job. Very few gyms provide any level of dance instruction. The DP compulsory routines are just pose-pose-pose. Even worse, many places are now using XCEL to completely skip compulsories which means even less attention is paid to choreography. It's just awful. (it is also completely against the spirit of Xcel, but that's another tangent)I don’t know why so many elite gymnasts today completely lack confidence of movement. They genuinely look awkward
This really stood out to me watching the U.S. Classic over the weekend. What I remember from my previous years watching the sport, even gymnasts lacking strong choreography, execution, and dance skills (think Raisman) still carried themselves and presented the routine rather than just going through motions.I don’t know why so many elite gymnasts today completely lack confidence of movement. They genuinely look awkward
Hmm. Thats sort of it, but slightly different.I can't speak to other countries, but in the US, for the word go, we do a terrible job. Very few gyms provide any level of dance instruction. The DP compulsory routines are just pose-pose-pose. Even worse, many places are now using XCEL to completely skip compulsories which means even less attention is paid to choreography. It's just awful. (it is also completely against the spirit of Xcel, but that's another tangent)
The day is coming where we see a kid who skipped DP compulsories, did a handful of level 8 and 9 meets while largely focusing on HOPES, and moves into elite with absolutely zero foundation. Their skills will be terrifying and their quality of movement will make us weep.
Exactly. It doesn’t need to be pretty, meaningful or entertaining. It just needs to be less jerky than Knightsbridge curve on the Piccadilly lineThis really stood out to me watching the U.S. Classic over the weekend. What I remember from my previous years watching the sport, even gymnasts lacking strong choreography, execution, and dance skills (think Raisman) still carried themselves and presented the routine rather than just going through motions.
I think there is concern, the problem is they think it can be solved by a wobbly Y stand.Why is there so much concern over "artistry" in WAG but not in MAG, where the emphasis is all on power, acrobatics and athleticism? Why the difference in the core values of WAG and MAG?
I often think back to learning the 2000s compulsories in a judging course, and Cheryl Hamilton saying "we give them just enough ballet to get by." That struck me as short-sighted then and continues to now.I don’t know why so many elite gymnasts today completely lack confidence of movement. They genuinely look awkward
They don’t properly deduct for it at elite level…They really need to change the lower level codes to reward artistry and deduct the lack of it. At the moment the emphasis seems to be chucking skills to skip to the next level and by the time they get to elite it's too late.
I really hope Betty Okino brings a fresh perspective over time, but it may be a many years long project
It makes me laugh when people think that because someone with a personal reputation for xyz, suddenly things are going to be different.Betty Okino has been on the National Team Staff as the person in charge of dance and artistry for the past seven years.
For about as long as Dan Baker was the developmental lead, Okino has been in charge of dance.