I can’t think of any of the entrances that have bothered me, as long as they’re just an eight count-ish. Melnikova’s was a bit long. We gripe about floor not being artistic enough; well, setting the stage is one way enhance the artistry of a routine. It obviously shouldn’t be included in the artistry judging, but ultimately I’d rather have a bit of stage setting and an exit flourish then ‘march on, mechanical smile and some arm waving or shoulder wiggling, march off’. It’s nice when you get the feeling they’re having fun with it.